Luc Posted December 5, 2014 at 10:24 AM Author Share Posted December 5, 2014 at 10:24 AM (edited) le double (triple en fait) cds et dvd live à l'Albert Hall de Londres du 27 novembre 2000 sont des "must" à avoir, le son de sa basse y est extraordinaire Edited December 5, 2014 at 10:24 AM by Luc Quote Link to comment Share on other sites More sharing options...
foulala Posted December 5, 2014 at 10:31 AM Share Posted December 5, 2014 at 10:31 AM Absolument. Dispo sur le Tube. C'était un tueur le Monsieur. Et la grande classe Britannique en plus. Quote Link to comment Share on other sites More sharing options...
Luc Posted December 23, 2014 at 12:48 PM Author Share Posted December 23, 2014 at 12:48 PM https://www.youtube.com/watch?v=6gq6K3ZGWqg the Thunder Sound of Sir John Entwistle Quote Link to comment Share on other sites More sharing options...
foulala Posted December 23, 2014 at 12:56 PM Share Posted December 23, 2014 at 12:56 PM P'tain, mais garde la cette basse, c'est une pièce de collection, un morceau d'histoire, qui, en plus, sonne sa maman ! Quote Link to comment Share on other sites More sharing options...
Luc Posted December 23, 2014 at 12:58 PM Author Share Posted December 23, 2014 at 12:58 PM oui oui sauf si on me dépose un gros paquet d'argent sur la table .... et encore Quote Link to comment Share on other sites More sharing options...
foulala Posted December 23, 2014 at 01:03 PM Share Posted December 23, 2014 at 01:03 PM Arf, tu peux faire du blé autrement ... Quote Link to comment Share on other sites More sharing options...
Tourneau Posted December 23, 2014 at 04:33 PM Share Posted December 23, 2014 at 04:33 PM Arf, tu peux faire du blé autrement ... Quote Link to comment Share on other sites More sharing options...
Norwood Posted December 23, 2014 at 06:55 PM Share Posted December 23, 2014 at 06:55 PM Belle pièce que voilà. Quel solo de ouf! Quote Link to comment Share on other sites More sharing options...
Luc Posted August 17, 2016 at 02:56 PM Author Share Posted August 17, 2016 at 02:56 PM deux après avoir trouvé cette merveille, que j'ai revendue par spéculation ..., j'ai retrouvé une autre ... B1 C'est la dernière produite par Rob avant le coup dans le dos de WWick, enfin, du fils d'Entwistle qui a revendu la license à WW Quote Link to comment Share on other sites More sharing options...
BassGyver Posted August 17, 2016 at 04:33 PM Share Posted August 17, 2016 at 04:33 PM Belle prise! Quote Link to comment Share on other sites More sharing options...
Tourneau Posted August 18, 2016 at 06:31 AM Share Posted August 18, 2016 at 06:31 AM C'est qd même très très spécial niveau forme. On aime ou on déteste... Mais la lutherie est exceptionnelle qd même, il faut l'avouer. Quote Link to comment Share on other sites More sharing options...
Luc Posted August 18, 2016 at 01:19 PM Author Share Posted August 18, 2016 at 01:19 PM et concernant le problème de licence, et l'arrêt de la production par Status, j'ai trouvé ces qulques mots du boss de chez WW The Warwick Buzzard Reissue andLicensing with the Entwistle Estate Much has been said on the Internet about the licensing agreement between the Entwistle estate and Hans Peter Wilfer of Warwick. So I hope this page will finally set the record straight on exactly how it was decided that Warwick would retain the licensing and rights to produce the Buzzard reissues. This information came to me as an e-mail copy from Wilfer, who took the time to explain the situation. Hans Peter Wilfer - "Today, Warwick owns officially the rights to produce the Buzzard Bass only because I could prove, in front of a judge, that I made 80 of all the design aspects and not John himself. This was just a question after John Entwistle passed away and his son, Chris Entwistle, tried to stop us. So, the judge agreed that the bass was designed by my self. Not either Modulous or even Status produce the bass at all because we gave them notices that we will not accept it anymore." Quote Link to comment Share on other sites More sharing options...
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