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Tony Levin


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J'ai maté une partie du dernier DVD live de Peter Gabriel. Le bassiste est Tommy Levin et sa technique assez époustouflante, au stick comme à  la basse.

Sur cette dernière, on peut le voir avec des appendices au bout des doigts de la main droite, en fait, des genres de tubes. Une technique que je ne connaissait pas mais qui donne un son pas possible !

Quelqu'un a une idée ou une info là -dessus ?

Moi, j'suis très tenté de me foutre des machins au bout des doigts pour voir un peu ce que ça va donner. ;)

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notons que depuis le départ de trey gunn de King Crimson (MON groupe fétiche), c'est ce cher Tony qui a repris la basse (ou la contrebasse électrique, ou la warr guitar, ou ou ou....), une nouvelle fois au sein de groupe.

Le dvd de crimso "deja vrooom" est très intéressant pour voir Tony.

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The Life and Art of Bass Playing by Tony Levin

In the beginning there was a bass. It was a Fender, probably a Precision, but it could have been a Jazz - nobody knows. Anyway, it was very old ... definitely pre-C.B.S.

And God looked down upon it and saw that it was good. He saw that it was very good in fact, and couldn't be improved on at all (though men would later try.) And so He let it be and He created a man to play the bass.

And lo the man looked upon the bass, which was a beautiful 'sunburst' red, and he loved it. He played upon the open E string and the note rang through the earth and reverberated throughout the firmaments (thus reverb came to be.) And it was good. And God heard that it was good and He smiled at his handiwork.

Then in the course of time, the man came to slap upon the bass. And lo it was funky.

And God heard this funkiness and He said, "Go man, go." And it was good.

And more time passed, and, having little else to do, the man came to practice upon the bass. And lo, the man came to have upon him a great set of chops. And he did play faster and faster until the notes rippled like a breeze through the heavens.

And God heard this sound which sounded something like the wind, which He had created earlier. It also sounded something like the movement of furniture, which He hadn't even created yet, and He was not so pleased. And He spoke to the man, saying "Don't do that!"

Now the man heard the voice of God, but he was so excited about his new ability that he slapped upon the bass a blizzard of funky notes. And the heavens shook with the sound, and the Angels ran about in confusion. (Some of the Angels started to dance, but that's another story.)

And God heard this - how could He miss it - and lo He became Bugged. And He spoke to the man, and He said, "Listen man, if I wanted Jimi Hendrix I would have created the guitar. Stick to the bass parts."

And the man heard the voice of God, and he knew not to mess with it. But now he had upon him a passion for playing fast and high. The man took the frets off of the bass which God had created. And the man did slide his fingers upon the fretless fingerboard and play melodies high upon the neck. And, in his excitement, the man did forget the commandment of the Lord, and he played a frenzy of high melodies and blindingly fast licks. And the heavens rocked with the assault and the earth shook, rattled and rolled.

Now God's wrath was great. And His voice was thunder as He spoke to the man.

And He said, "OK for you, pal. You have not heeded My word. Lo, I shall create a soprano saxophone and it shall play higher than you can even think of."

"And from out of the chaos I shall bring forth the drums. And they shall play so many notes thine head shall ache, and I shall make you to always stand next to the drummer."

"You think you're loud? I shall create a stack of Marshall guitar amps to make thine ears bleed. And I shall send down upon the earth other instruments, and lo, they shall all be able to play higher and faster than the bass."

"And for all the days of man, your curse shall be this; that all the other musicians shall look to you, the bass player, for the low notes. And if you play too high or fast all the other musicians shall say "Wow" but really they shall hate it. And they shall tell you you're ready for your solo career, and find other bass players for their bands. And for all your days if you want to play your fancy licks you shall have to sneak them in like a thief in the night."

"And if you finally do get to play a solo, everyone shall leave the bandstand and go to the bar for a drink."

And it was so.

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  • 4 months later...
J'aime bien une partie d'entrevue dans Bass Player quand il mentionne son Top 10 d'une basse à  3 cordes:

G string are for strippers.

Et vlan!

SB

Oui enfin il joue aussi sur des basses à  un peu plus de 3 cordes...

Sur des sticks à  8 ou 10 cordes (je sais plus) aussi...

Pis des warr guitars.... :lol:

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  • 2 months later...

Tony Levin.....Aaaaah.....le grand Tony!

Il y a deux ans (déjà), je suis allé voir le concert de Peter Gabriel à la Halle Tony Garnier (à Lyon).

Vers le milieu du concert, Peter commence la présentation des musiciens; il finit par Tony et avant même de dire son nom, TOUTE la Halle s'est mise à scander "Tony, Tony, Tony, Tony". Vous imaginez un peu?

Une telle effervescence pour un musicien qui n'est ni la guest star ni une star tout court de la part d'un large publique (donc pas composé d'une majorité de bassistes avertis)... C'était phénoménal.

Ce bassiste est LE bassiste!

Au passage je vous recommande chaudement d'écouter les disques de B.L.U.E (Bruford Levin Upper Extremities), c'est monstrueux!

Edited by Pehennji
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  • 2 weeks later...

tony levin a egalement fait deux album avec dream theater ou plutot avec pettrucci, rudess et portnoy.

c'est ouf ce qu'il fait dans ces chansons un groove impressionant dans certains passages de "basse batterie" comme dans universal mind.

il joue sur chapman 12 cordes, et aussi une stingray 5 avec ses funky fingers!!

ce mec est plus que doué, sans doute le meilleur bassiste de session.

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  • 3 months later...

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